A remix is an edited version of an existing song. Badke(remix) is a remake of the dance performance with 10 Palestinian dancers that toured worldwide between 2013 and 2016, created by Koen Augustijnen, Rosalba Torres and Hildegard De Vuyst. The reissue of Badke is now artistically in Palestinian hands, namely Amir Sabra and Ata Khatab, and becomes Badke(remix).
The title is a conscious reversal of dabke, the name of the Palestinian folk dance and the starting point of the performance. With backgrounds in traditional dabke, contemporary dance, hip-hop, capoeira or circus, the Palestinian performers bring a contemporary version of this dance that is traditionally reserved for (wedding) parties. Badke(remix) displays a zest for life and passion for dancing as a form of resistance.
In Badke(remix), a contemporary version of the vernacular, non-academic variety is chosen, an explosion of joy, a lively physical expression that speaks of connection, an affirmation of belonging somewhere. This kind of collective physicality is hardly encountered in contemporary dance with its emphasis on individuality and reflection. At the heart of the 'social' dabke is something unique that Palestinian dancers can proudly show off to the rest of the world.
But Badke(remix) is not a search for lost authenticity. Therefore, the makers also integrate contemporary dance or hip-hop alongside traditional dabke. Badke(remix) thus becomes a vital form of collective 'belonging somewhere' in a globalised context, while also expressing the desire to be part of the world beyond. How much contemporary information can the dabke tolerate? Can you put a different spin on this almost canonised folk dance? How flexible is the tradition? And how can you question folk dance without driving the people away? These are questions that arise.
Moreover, under the occupation, togetherness often becomes compulsive while mutual tensions fester under the skin; social control is often crippling to individual aspirations; the profession of dancer is scarcely rated higher than that of sex worker (and there are none!). Not to mention the violence that is the order of the day. Throughout the festive surface of Badke(remix), that other reality permeates, like cold gusts of wind through the chinks of a poorly insulated house. But in the end, the thought still prevails: we're not going to let anyone tell us what to do. We will dance until we drop.
Badke(remix) is not a performance you calmly watch and then analyze. As a viewer, you feel the pulse, the repetition, the shortness of breath. It’s hard not to move along.
"The performance feels like a wedding celebration, where the ten outstanding dancers, completely committed, embrace the dance with wild energy and contagious joy. The joy of being together, of jumping, of moving, of wanting to share that joy, while also expressing the Palestinian need to feel part of the world."
"The ten dancers move with a raw and unrelenting physicality, yet always in tune with the collective. They engage in a choreographic dialogue where challenge and support alternate effortlessly, creating a constant dynamic of energy and tension. ... It is a physical reminder of what dance can be: survival in motion, a collective heartbeat that refuses to stop."
choreography
Ata Khatab
Amir Sabra
dans en creatie
Abdallah Damra
Bresa Ayub
Dima Zahran
Hamza Damra
Marah Haj
Mohammed Al Tayeh
Rebecca Kaoud
Rima Baransi
Samer Raya
Shahd Jabarin
Jassi Murad (understudy)
soundtrack
Nasser Al-Fares
bewerking door
Sam Serruys
artistic assistant
Abdallah Damra
sound
Hanne Nuyttens
light
Ine Van Bortel
gebaseerd op Badke 2013 van
Koen Augustijnen
Rosalba Torres Guerrero
Hildegard De Vuyst
production
laGeste
Stereo48
coproduction
KVS
VIERNULVIER
in collaboration with
Siamese Cie (Gloed vzw)
All data
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Saturday 15 November 2025 — 20h00 — Bourlaschouwburg, Antwerpen