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Article • 9 November 2022 FC Bergman goes to Australia ‘The Sheep Song’ goes down under at Adelaide Festival 2023
Article • 24 June 2022 Olympique Dramatique keeps the focus on the actor “Acting is a political activity in itself”
Article • 24 June 2022 FC Bergman returns to its roots as a location theatre company "We’re looking forward to it. Even though we don’t pick up a hammer anymore."
Article • 24 June 2022 Gorges Ocloo calls for a repertoire that starts from the bottom up "We are violence. We are love. We are all of that in one."
Article • 24 June 2022 Lisaboa Houbrechts makes theatre that is epic and intimate in equal measure “I can’t lie in theatre”
Article • 24 June 2022 Benjamin Abel Meirhaeghe does away with pigeonholes for genres and audiences "I'm conducting a conversation between the past and the present, rather than coming here to burn the place down.”
Article • 25 May 2022 European theatre network Mitos21 stresses international importance of Toneelhuis
Article • 16 May 2022 Press Conference Toneelhuis artists come to the fore together with interim business manager to ensure the future of Toneelhuis
Article • 21 February 2022 Open call for 'The Golden Stool, or the story of Nana Yaa Asantewaa' A new performance of Gorges Ocloo, LOD & Toneelhuis
Article • 20 October 2021 THE TONEELHUIS OF THE FUTURE Five permanent theatre makers and a free space to be filled in annually
Article • 16 May 2022
